"Oh that the desert were my dwelling place,
With one fair spirit for my minister;
That I might all forget the human race,
And, hating no one, love but only her."
A cheerful party were met in the drawing room of Delme. Clarendon Gage, a neighbouring land proprietor, to whom Emily had for a twelvemonth been betrothed, had the night previous returned from a continental tour. In consequence, Emily looked especially radiant, Delme much pleased, and Clarendon superlatively happy. Nor must we pass over Mrs. Glenallan, Miss Delme's worthy aunt, who had supplied the place of a mother to Emily, and who now sat in her accustomed chair, with an almost sunny brow, quietly pursuing her monotonous tambouring. At times she turned to admire her niece, who occasionally walked to the glass window, to caress and feed an impudent white peacock; which one moment strutted on the wide terrace, and at another lustily tapped for his bread at ne of the lower panes.
"I am glad to see you looking so well, Clarendon!"
"And I can return the compliment, Delme! Few, looking at you now, would take you for an old campaigner."
The style of feature in Delme and Clarendon was very dissimilar. Sir Henry was many years Gage's senior; but his manly bearing, and dark decided features, would bear a contrast with even the tall and elegant, although slight form of Clarendon. The latter was very fair, and what we are accustomed to call English-looking. His hair almost, but not quite, flaxen, hung in thick curls over his forehead, and would have given an effeminate expression to the face, were it not for the peculiar flash of the clear blue eye.
"Come! Clarendon," said Emily, "I will impose a task. You have written twice in my album; once, years ago, and the second time on the eve of our parting. Come! you shall read us both effusions, and then write a sonnet to our happy meeting. Would that dear George were here now!"
Gage took up the book. It was a moderately-sized volume, bound in crimson velvet. It was the fashion to keep albums then. It glittered not in a binding of azure and gold, nor were its momentous secrets enclosed by one of Bramah's locks. The Spanish proverb says, "Tell me who you are with, and I will tell you what you are." Ours, in that album age, used to be, "Show me your scrap book, I will tell you your character." Emily's was not one commencing with--
"I never loved a dear gazelle!"
and ending with stanzas on the "Forget-me-not." It had not those hackneyed but beautiful lines addressed by Mr. Spencer to Lady Crewe--
"I stay'd too late: forgive the crime!
Unheeded flew the hours;
For noiseless falls the foot of Time.
That only treads on flowers."
Nor contained it those sublime, but yet more common ones, on Sir John Moore's death; which lines, by the bye, have suffered more from that mischief-making, laughter-loving creature, Parody, than any lines we know. It was not one of these books. Nor was it the splendid scrap book, replete with superb engravings and proof-impression prints; nor at all allied to the sentimental one of a garrison flirt, containing locks of hair of at least five gentlemen, three of whom are officers in the army. Nor, lastly, was it of that genus which has vulgarity in its very title-page, and is here and there interspersed with devilish imps, or caricatured likenesses of the little proprietress, all done in most infinite humour, and marking the familiar friendship, of some half-dozen whiskered cubs, having what is technically called the run of the house. No! it was a repository for feeling and for memory, and, in its fair pages, presented an image of Emily's heart. Many of these were marked, it is true; and what human being's character is unchequered? But it was blotless; and the virgin page looks not so white as when the contrast of the sable ink is there.
Clarendon read aloud his first contribution--who knows it not? The very words form a music, and that music is Metastasio's,
"Placido zeffiretto,
Se trovi il caro oggetto,
Digli che sei sospiro
Ma non gli dir di chi,
Limpido ruscelletto,
Se mai t'incontri in lei,
Digli che pianto sei,
Ma non le dir qual' eiglio
Crescer ti fe cosi."
"And now, Emily! for my parting tribute--if I remember right, it was sorrowful enough."
Gage read, with tremulous voice, the following, which we will christen
THE FAREWELL.
I will not be the lightsome lark,
That carols to the rising morn,--
I'd rather be some plaintive bird
Lulling night's ear forlorn.
I will not be the green, green leaf,
Mingling 'midst thousand leaves and flowers
That shed their fairy charms around
To deck Spring's joyous bowers.
I'd rather be the one red leaf,
Waving 'midst Autumn's sombre groves:--
On the heart to breathe that sadness
Which contemplation loves.
I will not be the morning ray,
Dancing upon the river's crest,
All light, all motion, when the stream
Turns to the sun her breast.
I'd rather be the gentle shade,
Lengthening as eve comes stealing on,
And rest in pensive sadness there,
When those bright rays are gone.
I will not be a smile to play
Upon thy coral lip, and shed
Around it sweetness, like the sun
Risen from his crimson bed.
Oh, no! I'll be the tear that steals
In pity from that eye of blue,
Making the cheek more lovely red,
Like rose-leaf dipp'd in dew.
I will not be remember'd when
Mirth shall her pageant joys impart,--
A dream to sparkle in thine eye,
Yet vanish from thy heart.
But when pensive sadness clouds thee,
When thoughts, half pain, half pleasure, steal
Upon the heart, and memory doth
The shadowy past reveal.
When seems the bliss of former years,--
Too sweet, too pure, to feel again,--
And long lost hours, scenes, friends, return,
Remember me, love--then!
"Ah, Clarendon! how often have I read those lines, and thought--but I will not think now! Here come the letters! Henry will soon be busy--I shall finish my drawing--and aunt will finish--no! she never can finish her tambour work. Take my portfolio and give me another contribution!" Gage now wrote "The Return," which we insert for the reader's approval:--
THE RETURN.
When the blue-eyed morn doth peep
Over the soft hill's verdant steep,
Lighting up its shadows deep,
I'll think of thee, love, then!
When the lightsome lark doth sing
Her grateful song to Nature's King,
Making all the woodlands ring,
I'll think of thee, love, then!
Or when plaintive Philomel
Shall mourn her mate in some lone dell,
And to the night her sorrows tell,
I'll think of thee, love, then!
When the first green leaf of spring
Shall promise of the summer bring,
And all around its fragrance fling,
I'll think of thee, love, then!
Or when the last red leaf shall fall,
And winter spread its icy pall,
To mind me of the death of all,
I'll think of thee, love, then!
When the lively morning ray
Is dancing on the river's spray,
And sunshine gilds the joyous day,
I'll think of thee, love, then!
And when the shades of eve steal on,
Lengthening as life's sun goes down,
Like sweetest constancy alone,
I'll think of thee, love, then!
When I see a sweet smile play
On coral lips, like Phoebus' ray,
Making all look warm and gay,
I'll think of thee, love, then!
When steals the tear of pity, too,
O'er a cheek, whose crimson hue
Looks like rose-leaf dipp'd in dew,
I'll think of thee, love, then!
When mirth's pageant joys unbind
The gloomy spells that chain my mind,
And make me dream of all that's kind,
I'll think of thee, love, then!
And when pensive sadness clouds me,
When the host of memory crowds me,
When the shadowy past enshrouds me,
I'll think of thee, love, then!
When seems the bliss of former years,--
Too sweet, too pure, to feel again,--
And long lost hours, scenes, friends, return,
I'll think of thee, love, then!
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